I have won more work with this aria than any other in my repertoire. Many opera singers are employed as staff soloists and choristers in churches around the world. Her major breakthrough was the Queen of the Night in Mozart’s The Magic Flute at Dutch National Opera. It is often requested for weddings, memorials, and special church services like Christmas Eve. Gerswhin's “Summertime,” or Pucinni's “O mio babbino caro,” for instance, are always crowd-pleasers. She received many honors and awards even after her career was over. One such type is the coloratura sopranos. This exquisite aria from Handel’s Messiah (Part III) is an obvious choice for Easter services, and it is an excellent piece to offer if you are not a coloratura. She has worked with some of the great opera houses all over the world. “Give Me Jesus” was one my most requested songs as a church soloist. There are several extended runs, topping out at a high B … She was an American-born Greek soprano who excelled in both dramatic as well as lyric coloraturas. These cookies do not store any personal information. Born in Lyon, France, Natalie Dessay is a French coloratura soprano. Advent is just around the corner, so you might want to start brushing up those melismas now. They are extraordinarily talented with a powerful and flexible voice. She debuted at a professional level at the Queen of the Night in Mozart’s The Magic Flute. These cookies will be stored in your browser only with your consent. “Mein glaubiges Herze,” from cantata number 68 is good to know because the text lends itself well to almost year-round use. A lyric soprano is characterized by a voice type with high vocal range … She studied music in Greece and made her professional debut in 1941. New: Save your favorite arias, videos and singers! She made her professional debut with Gilbert and Sullivan company in 1945. If any melody has the power to stop time and bring peace, this is the one. It can be quite a showpiece for the lyric voice, and it is one of the most memorable and moving sacred arias to have in your repertoire. It has stamina, great flexibility, strong emotions, and volume, but less agility as compared to the light soprano. Given below is a list of some of the best dramatic sopranos ever. She sang with much ease and sincerity, breathing life into music. This sacred aria by Gounod is one of his most exquisite compositions for voice, and it is published in a variety of keys. Anna is a Russian soprano who has a strong and clear voice without any shrillness even at the highest of the voice range. She had an intoxicating and versatile voice, and a great stage presence that kept the audiences mesmerized, which is why she has been very rightly referred to as ‘La Divina.’. She won acclaims and awards for her many of the performances. She made her concert debut in 1947 and stage debut in 1951. Her dramatization maintained the dignity and elegance of a diva. Take a look at the best lyric sopranos of all time. A dramatic soprano is type of female operatic voice that is characterized by wider, larger, and richer, but dark timbre. The range for this type of voice is from B3 (low B) to F6 (high F). This song is often most associated with Palm Sunday, but it is such a beloved and requested tune, I have even been asked to sing it for memorials. She is known for her roles in Wagner. Beverly Sills was an American soprano who was known for her coloratura soprano roles in live opera and recordings. For one night on the battlefield that Christmas Eve of 1871, all was quiet on the front. The roles that are written for a dramatic soprano are usually heavy, mythic, and suffering. J.S. She received many honors and awards from the 1970s till her final years. Dear divas, one cannot live on opera alone, and there is a world of music to discover off-stage. Typically, a soprano is a female opera singer having the highest vocal range, but at times, men who sing in the voice range of soprano using falsetto instead of modal voice are called male sopranos. Best Works: Lucia di Lammermoor, Massenet’s Manon, Marie in La fille du régiment, Rosina in Rossini’s The Barber of Seville, Violetta in Verdi’s La traviata, Elisabetta in Roberto Devereux. It is a dramatic work requiring extreme breath control and dynamic range, and it is quasi-operatic in nature.